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It is a funny yet chilling little affair: that much cannot be denied. Having read the two verses, we are left in no doubt as to which of the two speakers in the poem is going to far outlast the other. How then, as both comedy and warning, is it to be rated when compared with some of Eliot's sinister-jocular lines: with, say, this largely unpunctuated exchange from "Fragment of an Agon"? 

SWEENEY: I know a man once did a girl    
                                                   in.
Any man might do a girl in
Any man has to, needs to, wants to
Once in a lifetime, do a girl in
Well he kept her there in a bath
With a gallon of lysol in a bath
SWARTS: These fellows always get pinched in the end.

SNOW: Excuse me, they don't all get
                      pinched in the end.
What about them bones on Epsom  
                                      Heath?
I seen that in the papers
They don't all get pinched in the end...

Given the differences between them, any attempt at a direct comparison between the two passages would be implausible; yet no one would wish to deny the power of the machine-gun rat-tat-tat of Sweeney's assertion of what any man has to, needs to, wants to, once in a lifetime "do" with a troublesome partner. Yet, to my taste, "Waiting Both" is the funnier of the two passages, and the more grown up — and much the grimmer, too.


Rewriter: A draft of "The Waste Land"

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Mark Richardson
November 19th, 2010
2:11 AM
Very well done. Hardy's body of work as a poet from about 1912 through 1928 is the best of the period, I believe, and more thoroughly "modern" in its thinking (as against its style) than any other poet besides, perhaps, Frost. Eliot, take him all in all, pales by comparison. He was never modern in his thinking, and though the stylistic innovations are interesting & "modern-ist," well, there's a certain psychosexual pathology to the early poems ("female smells in shuttered rooms," etc.), a marked note of misogyny, and then the problems of such things as "After Strange Gods." One small point I'd add to the following remark: "This little poem is simply yet mysteriously called "Waiting Both".... The mystery clears a bit when we acknowledge what "change" means, here, and that Hardy is borrowing the essential phrase in the poem from the book of Job (14:14): "If a man die, shall he live again? all the days of my appointed time will I wait, till my change come." Cf.: http://eraofcasualfridays.net/2009/09/27/waiting-both-t-hardy/ Mark Richardson

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