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SG: No, but do you think that’s politics?

CS: (Laughing) Or do you think that’s the standard of the plays themselves?

SG: I think any play that sets out to do a “state of the nation” accounting is doomed to six weeks somewhere or other. Or ought to be.

CS: I quite agree. This is partly what you see theatre doing, I think. This book by Michael Billington seems to say that the main thing about a play isn’t that it’s got characters you’ll become concerned about, but that it has certain points to make. And I have great respect for him because he’s been doing the job for a long time but it’s absolutely not the way I’d do it.

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Peter Elmore
August 8th, 2008
2:08 PM
I agree with the sentiments expressed about Islam in the Theatre; a great big burkha-wearing elephant in the room. I have worked and lived in the Middle East where for the most part the concept of Theatre as we know it does not exist except for British Council productions of Drawing Room dramas, comedies and bog standard Shakespeare. The hand wringing Guardian readers would rather burn a "Joan of Art" at a stake fueled with Bibles than offend an Islamist. However I'm sure the "next big thing" from the subsidised theatre will be a biting satire on the persecution of homosexual bishops.

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