Departure of Charles III from Naples, Antonio Joli, 1759 (Museo del Prado): a beautiful view but crime blights the area
Sitting at the back of the stands, watching the Davis Cup in Naples, the view behind is the same as the paintings in every restaurant of the city. Beyond the red "clay" and the body of Italian fans is Vesuvius. To the right of the volcano are the mountains and towns of the Amalfi peninsula. Even further along, beyond the seats reserved for officials and club members, is the blue Mediterranean and the outline of Capri. To the left, edging the sea and stretching up the mountain slopes, is the city. The paintings show the view of the 18th century, but now cruise liners and container ships have replaced the sailing boats and the mountain no longer emits smoke — the last puff was spotted in 1943. And, of course, the city spreads much further round the bay and up into the mountains than it used to. There are now one million people in the city and another three million in the visible conurbation.
The match runs three days and on the last the British supporters are enjoying being fed delicious homemade delicacies by the the Italians around them. It raises the question: is there anywhere else you would rather be?
In the far South of Campania, in a fishing village where the coast is its furthest distancefrom the autostrada, the restaurateur is pressing us to try the different fish he picked up at the harbour when the boats returned at six o'clock. As well as the amuses-bouche (there is no Italian for this) his brother has concocted in the kitchen. We pay for two courses, but eat about five. He flatters me, as Italians often do: I not only look Italian (considered a good thing), but sound Italian. Here, I must explain, as the restaurateur flatters to ingratiate, my language skills flatter to deceive. My Italian is limited and very rusty. Before I was born my father, as a language graduate in the Eighth Army, was sent on an intensive Italian course so that he could liaise and interrogate. Therefore on family visits to Italy I was able to listen and learn from him. So I sound OK, much better than my Spanish — despite my many lessons. My star moment on this trip was at Herculaneum when a group of boys addressed me in English and I replied in Italian; one of them turned away convinced I was lying about being English and muttered "E Italiano". However, I have great difficulty in reading serious Italian prose and my strongest conversation topics are food and football.
Italy is a lovely place. Shakespeare set 15 of his plays in the country. Even during his time there were complaints about "Italianate Englishmen" who banged on about how you hadn't really lived unless you'd been to Italy: the infatuation has been going on for at least 500 years. In my case, it was love at first sight. Before any of the Alpine tunnels were opened, my parents drove to Italy up the Mont Cenis pass. Up among the flowery meadows we hit the small Italian border post. It was manned by a single officer, handsome, if a trifle fat, in a grey uniform with a cap at a rakish angle. He was standing in the middle of the road and singing. We waited until he finished and then he welcomed us to Italy. I often think of him these days as I ski down the road, now Europe's longest run. However, it is not all beautiful scenery and welcoming locals. In Campania, there are times when a group of young men will approach a tourist group and will spit at the women to provoke the men of the party. When you are forced to respond they will beat the crap out of you, this is to demonstrate that they have the right kind of stuff to be Camorra enforcers. The Camorra is a mafia-type criminal organisation found in Campania. If these men graduate into a Camorra clan apparently they will learn to stuff a person's mouth with explosives to blow your head off or, if they want information, they have been said to slowly beat people with spiked clubs. There is, apparently, no shortage of young men wanting to work for the Camorra clans. They explain that they would rather die young having been feared, than live to a ripe old age by holding down a boring and servile job.
The murder figures are shocking. Campania has the highest murder rate in Italy — just under 50 people per million per annum — about the same as the US, four times that of the United kingdom, five times that of Italy as a whole. Looking at these figures its as if nearly all the murders in Campania are Camorra-related. Some speculate that that the clans also kill a number of Chinese labourers they have imported and African pedlars they have sub-contracted, which don't appear in any statistics. Indeed, there is a disturbing episode at the beginning of Gomorrah: when a container is opened and Chinese bodies spill out. There is a very visible presence of South Asians in Naples, not mentioned by Saviano. I talked to some, but didn't dare raise the question of how they had got there.The book makes you look at Campania in a whole new way. Take, for example, the pair of buskers below our hotel room, on the causeway from the lungomare to the Castello dell'Ovo, a very popular tourist spot. They are terrible, badly recycling Neapolitan and global favourites on a fairly short loop. But strangely they have no rivals. At a much higher musical level we went to the opera, in the magnificent Teatro San Carlo, the world's oldest opera house. We saw Otello — the Verdi rather than the Bellini (which was actually premiered there). There were two intervals of 20 minutes when the audience repaired to a vast assembly room to drink champagne, network and be seen. Bourgeois elegance in profuse and extreme form. But I wondered, how many were Camorra connected?
And how many connected with the various anti-Mafia agencies? And how many both? A Californian tourist, walking behind us at Pompeii, remarked, "this place is bi-polar". He was actually talking about the weather, a sunshine/shower sequence much more familiar to the English than the Californians. But he could easily have been talking about Italian life as a whole. Years ago in Verona on the same unlucky day we were robbed and our car broke down. Innocenti mended the car immediately, offering excellent coffee and chatting about football while we waited. Yet when I arrived at Carabinieri HQ to report the robbery they were extremely unhelpful, grumpy and had obviously been sleeping.
A version of the "parachute question" I used to ask myself as a much younger travel writer: are the problems of Naples and Campania easily detected by the uninformed traveller? Would you know something was wrong without being told? Saviano thinks the worst problem is the toxic waste which has poisoned lives and, in some areas, sent cancer rates soaring. But I don't think you would know this as a tourist: we ate and drank in Campania for two weeks without ill effects. On the other hand, the over-development is obvious and appalling. Most tourists see this in the filthy sprawl around Pompeii, which looks more like an Asian urban area than a European one. (Scotch any middle-class English myth that the Italians have natural good taste in visual matters!) But the place that hit me hardest was Battipaglia. Half a century ago I was stuck as a hitcher in the town, it was a nice and old area that would have served very well in one of the Old Country scenes in The Godfather. Now it is an enormous sprawl of grotty apartments, tacky villas and vast, oversized shopping malls. I can't think of anywhere in England that has gone so downhill so quickly. The Camorra love their cement.
- Win a pair of tickets to see Albion!
- The Crescent and the Jackboot: Dealing with Totalitarianism
- A Dream of Scottish Secession
- ISIS and the West: Neutrality absolves nothing
- The Great Reformer
- The Irish Free Variable
- Holocaust Lessons
- Georgians Really Revealed?
- Snapshot of a beleaguered city
- London: A New Rome?
- The Enemy Within
- Playing With The Devil
- 'Home births are like letting your child not wear a seatbelt.' Really?
- Culture and the Crime
- Pareto Humanity
- An Ordinary Chap, Sufficiently Motivated
- Philosophy and Prostate Cancer
- The Chief Whip And The Man In The Mask
- 'Reel Life': Peter Whittle at the Movies