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The United States was once a country that prized self-reliance and assimilation. We were Americans not by birth, but by outlook and action. This has given way to today's society of multicultural victimhood, with an expanding number of groups out to get theirs by loudly proclaimed grievance. Sonia Sotomayor's main qualification for the Supreme Court was her Hispanic heritage; without it no one would have bothered to pretend that hers was one of the country's finest legal minds. There is no better exemplar of this modern temper than Henry Louis "Skip" Gates.

Gates is a privileged figure in America: one of just 20 or so "university professors" at Harvard — and director of his own institute, the W.E.B. Du Bois Institute for African and African-American Research. But his stage stretches far beyond academia. He's the first stop for commentary on Black America for the New Yorker, Time and the New York Times. He's a television star, a regular on the talk show circuit and maker of multi-part TV series like America Beyond the Color Line, and African American Lives. When the Washington Post wanted to start an "online magazine for blacks," it went to Gates, who was happy to add founder and editor of The Root to his long curriculum vitae. He's co-editor of Africana: The Encyclopedia of the African and African-American Experience. Ditto for the Dictionary of African-American National Biography

Gates, now 58, has been in the news lately due to the fracas outside his home in Cambridge, Massachusetts, which ended with him being arrested by a white police officer. The event sent the nation into paroxysms of handwringing about the racism of American society and eventually engulfed President Obama. What's most notable about an ultimately meaningless misunderstanding is what Gates said when confronted by the police officer, called by a neighbour who feared that a break-in was in progress: "Do you know who I am?" 

Gates is famous. He was famous long before his friend Barack Obama turned his arrest into a cause célèbre. But, like Paris Hilton, he is famous for being famous. When his achievements are cited, they are a litany of events that seem more to do with the colour of his skin than the nature of his scholarship or intellect. He was the first African-American to receive a Mellon fellowship at Yale, the first to cross the Atlantic and get a PhD at Cambridge, the recipient of a MacArthur "genius" grant at 30, a tenured professor at 33 (at Cornell). He was lured away by Duke after five years, but they kept him for just two, as Stanford and Princeton made big money offers, only to be aced out by Harvard, where Gates arrived in 1991 at the age 41. He's on numerous boards, from the New York Public Library to the Whitney Museum of American Art. He has been awarded 49 honorary degrees. 

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creepingdoubt
September 30th, 2009
3:09 PM
and mr. messenger's point is what, exactly? it seems to be that gates may be accomplished but none of it counts because -- well, it's not about shakespeare, thackery and, well, who exactly is the leading conservative light in brit lit today? to what standard is mr. messenger holding gates and finding him wanting? he cites gates' accomplishments but doesn't say what they fall short of. also, jackson and sharpton were and are voices for the voiceless, of many colors and backgrounds -- not race baiters. whereas mr. messenger's condescending, under-documented attack on gates is race-baiting in action. discrediting a man, for him, constitutes an argument, just because he, messenger, is making it. i didn't know anyone's accomplishments, whatever messenger's might be, gave a person the right to make baseless, ad hominem assaults on another person's professional character.

Steve
September 26th, 2009
12:09 PM
"a public performer happy to comment on gangsta rap and the O.J. Simpson trial" - is that meant ot be a bad thing? And this is very disingenuous: "One of the reasons I started writing for the New Yorker was that I'm addicted to writing, but I couldn't really do the kind of archival research that I wanted to do, particularly in the first four or five years that I was [at Harvard] because it was such hard work building the department. I started writing for the New Yorker because I didn't have to go to the library to do that." Skip Gates, cultural mogul and academic empire-builder, is just too busy for scholarship." I think you missed the fact that Skip gates was talking about the past - the 'is' should read as 'was' in the finale sentence quoted. But hey, what price veracity.

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