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January/February 2012
Evelyn Waugh said that WWII would serve writers well, replenishing their stocks of experience. But several works borne out of the war were masterpieces of literature
 
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January/February 2012
Review of new poetry from Carol Ann Duffy, Derwent May, W.G. Sebald and Tomas Tranströmer
 
 
January/February 2012
British art has a rich European heritage. Tate Britain’s new show explores its Continental seam
 
 
January/February 2012
The stars have been axed because they tried to push their show an inch upmarket
 
 
January/February 2012
The Iron Lady does its subject and her legacy proud—but I hope Lady Thatcher never sees it
 
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January/February 2012
Peter Capaldi at the Gielgud is a scream but Lenny Henry at the National gets out of hand
 
 
January/February 2012
Subsidy cuts give classical music the chance to thrive without government interference